ScriptPimp.com Is Having Success...
January 28th, 2002
Hi folks, this is SU editor Chris here, and I'm here to tell you about Script P.I.M.P.'s latest success stories. (ScriptPimp.com)
Within the last six months, Script P.I.M.P. has optioned an indie romantic comedy (if it goes into production the writer is guaranteed a low six-figure sum), setup a two script deal off a period piece spec, and matched two writers to literary agents. Scribe William Jack Sibley optioned his script AMOR to director/producer Bryan Harston in six-figure deal. (September 2001)
"I want to thank Script P.I.M.P. for doing a commendable job of matching the right script to the right producer. My screenplay AMOR, is a true-life, character-driven, period piece about two middle-age Hispanics each making a last ditch attempt to find love. A tough sell by any standards, impossible to even imagine a studio risking. Bryan Harston at Idea Ranch became enamored with the story right after Script P.I.M.P. showed it to him. Thank you for solving one of the hardest conundrums in the business -- getting one's script to the best possible source in order to make it a go!" -William Jack Sibley, screenwriter
Doug Rappaport signed for a high five-figures to do a writing project for David Winkler, and found representation (October 2001), had this to say about Script P.I.M.P.:
"I cannot recommend Script P.I.M.P. more highly. Through them, my work was placed on Writers Script Network, where my script was read by director, David Winkler. He liked my writing so much that he hired me to write two screenplays for him, one of which I have just started working on. Script P.I.M.P. didn't stop there. Working with Chadwick Clough (the president of Script P.I.M.P.), he was able to hook me up with a great agent who is now representing me. Chadwick, unlike most "Hollywood" personalities, followed through with me by making phone calls on my behalf and checking in with me periodically; in a nutshell, Script P.I.M.P. "made it happen" for me. Thanks!"
Here are the essential things you need to know about the P.I.M.P.:
1. In 2001, Script P.I.M.P. reports having the highest success rate of matching writers to agents & producers.
2. At $145, their professional story analysis surpasses many services charging $300+.
3. Every writer gets a FREE Re-submission option. They have provided this service to help assist writers in developing and polishing their screenplays. Writers understand the importance of re-writing. Their FREE re-submission makes this a possibility opposed to an additional re-submission fee. The free rewrite works very well for screenwriters willing to fine tune their scripts.
Within the last six months, Script P.I.M.P. has optioned an indie romantic comedy (if it goes into production the writer is guaranteed a low six-figure sum), setup a two script deal off a period piece spec, and matched two writers to literary agents. Scribe William Jack Sibley optioned his script AMOR to director/producer Bryan Harston in six-figure deal. (September 2001)
"I want to thank Script P.I.M.P. for doing a commendable job of matching the right script to the right producer. My screenplay AMOR, is a true-life, character-driven, period piece about two middle-age Hispanics each making a last ditch attempt to find love. A tough sell by any standards, impossible to even imagine a studio risking. Bryan Harston at Idea Ranch became enamored with the story right after Script P.I.M.P. showed it to him. Thank you for solving one of the hardest conundrums in the business -- getting one's script to the best possible source in order to make it a go!" -William Jack Sibley, screenwriter
Doug Rappaport signed for a high five-figures to do a writing project for David Winkler, and found representation (October 2001), had this to say about Script P.I.M.P.:
"I cannot recommend Script P.I.M.P. more highly. Through them, my work was placed on Writers Script Network, where my script was read by director, David Winkler. He liked my writing so much that he hired me to write two screenplays for him, one of which I have just started working on. Script P.I.M.P. didn't stop there. Working with Chadwick Clough (the president of Script P.I.M.P.), he was able to hook me up with a great agent who is now representing me. Chadwick, unlike most "Hollywood" personalities, followed through with me by making phone calls on my behalf and checking in with me periodically; in a nutshell, Script P.I.M.P. "made it happen" for me. Thanks!"
Here are the essential things you need to know about the P.I.M.P.:
1. In 2001, Script P.I.M.P. reports having the highest success rate of matching writers to agents & producers.
2. At $145, their professional story analysis surpasses many services charging $300+.
3. Every writer gets a FREE Re-submission option. They have provided this service to help assist writers in developing and polishing their screenplays. Writers understand the importance of re-writing. Their FREE re-submission makes this a possibility opposed to an additional re-submission fee. The free rewrite works very well for screenwriters willing to fine tune their scripts.
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