[{"sKey":"c16d7172","homeText":"
Stephen King obviously isn't known as a screenwriter, yet as a writer he can still offer us lessons that will apply to screenwriting, regardless. There are a ton of "Tips from Stephen King" articles on the Internet. I wanted to avoid that take here as they all cover the same things. I wanted to go a little deeper into his book ON WRITING; a wonderful read about the craft and one I highly recommend to all writers. <\/p>\n","title":"Four Lessons from Stephen King's ON WRITING","avFile":"
","authName":"Christopher Wehner"},{"sKey":"c9518b62","homeText":"
Okay, I lied recently. I am on social media, Instasnap, twit, whatever... only my account is in my real name and no one knows who I am... I surf the web in silence... solitude... er... stealth. WTF ever.<\/p>\n The following has nothing to do with wet t-shirts. This entry is actually about screenwriting contests - a subject with little marquee value. One of the most popular category of questions that I find in my e-mail box is about screenwriting contests. As I say over and over, I believe that most are a waste of energy and entry fee. Some - like the Nicholl and Disney Fellowships - are very reputable and have launched a few Hollywood careers. Regardless of how reputable any contest might be, the screening process for most seems tenuous. Low fees for contest readers and a bulk of scripts guarantees a sloppy vetting system.
","authName":"Harry Caul"},{"sKey":"4998598c","homeText":"
\n <\/p>","title":"WET T-SHIRT CONTEST","avFile":"
","authName":"Christopher Lockhart"}]